Summerlee Industrial Museum 3D Anaglyphs

Lantern 3D

An Easter weekend family outing on Saturday to Summerll Indutrial Museum ( https://culturenl.co.uk/summerlee/) provided a few opportunities for some 3D Anaglyph photography.

With these shots I have tried to make use of post processing in lightroom to bring something a little more dramatic to the images.  This is still very much a learning process but I think the oil lantern work best.

And finally.  On Sunday evening I had a “Malificent” themed shoot for a Student Make Up Artist’s grade unit.  More images to follow but here is a sneak peak of a 3D portrait of model Louise.

Malificent 3D.JPG

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The Beast of Calder Water

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Tonight was the night of this week’s big photoshoot. The brief was simple “an outdoor portrait in twilight lighting” for a make up artistry student’s portfolio. And the model? A cave dwelling man eating mutant! What could go wrong?

After packing my kit bag and checking, double checking and triple checking that I have batteries, memory cards, flash triggers and flashes I set of to pick up my assistant for the shoot, David Brown. I did pack my camera didn’t I?

On route to the location a light smear of rain starts to splatter on the wind screen. By the time we get to the secret location of the cave dweller the rain is a full on torrential rain storm.

I parked the car and we began to survey the area for a good shooting location. Luckily we found two great locations within 150 yard walk from the car – ideal and somewhere to shelter all my kit from the rain – perfect.

Scouting work done, the make up artist Susan Hardman and her brave model arrived for the shoot.

As it is such a cold and damp evening we set up a couple of the shots with the model still in his clothes to get the lighting and framing set up. On reviewing them I think they make for some pretty creepy images in their own right.

Of course every man eating monster needs a hug sometimes.

Thanks to Susan Hardman for selecting me as the photographer for this project and thanks to her husband who suffered wind, rain, rocky terrain and rough gravel paths in nothing but a loin cloth – you’re a trooper!

https://www.facebook.com/susanhardmanmua/

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Back to the Marsh

I’ve been making a concerted effort this past week or two to get out with my camera as often as is reasonably practicable.

This morning I could have seen it far enough when I woke up and felt the cold biting at my toes but I got up and looking out the curtains I thought they sky looked hopeful for some nice morning light.

By 7:5 I was sitting in the observation hide on Cathkin Marsh under a flat grey sky without the slightest bit of interesting lighting or shadow.

The poor lighting forced me to crank up the ISO on my Nikon D600 to get any usable shutter speeds with my Sigma 150-60mm sports lens.

I persevered for an hour or so but came away with little for my efforts, just this Canadian Goose playing peek-a-boo in the long grasses.

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It’s quite amazing just how much the marsh changes from week to week, a real difference in the length of the grasses today and not a sign of the frog spawn in the ponds that I photographed last week.

Now getting prepared for a pretty interesting shoot tomorrow evening, an outdoor model shoot for a make up artist’s graded unit on prosthetic horror make up…should be good.

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Glasgow Architecture

Back to the daily theme today. My incomplete theme from Wednesday was “architecture” and today I had time to get out on my lunch hour in an effort to fulfil the brief.

I was spurred on by a fabulous lecture by Simon Butterworth at Queen’s Park Camera Club last night, in particular his architecture series of skyscraper images. You can find more of his project at his website http://www.simonbutterworthphotography.com

Simon was very generous with his photographic knowledge and brought home the importance of working on projects to produce a coherent set of images rather than just having a collection of individual shots.

But, back to the theme…Glasgow presents lots of architecture opportunities and where better to start than the Lighthouse (www.thelighthouse.co.uk), home to the MacIntosh Centre.

I made my way breathlessly up the helical staircase to the viewing area at the top of the old water tower to capture some panoramic shots of Glasgow city centre, and capture a full vista of Glasgow architecture.

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Making my way back down the stair case I shot up wards to get some interesting abstract shots but I was shooting hand held at ISO 6400, so perhaps another visit with a tripod is required.  Having said that, one of these shots is my favourite of the day:

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I managed to satisfy my brief for the day entirely within the Lighthouse and got a few interesting shots of architects card models which introduced a twist to achieving the theme.

Remember that to see the 3D anaglyph at the end you’ll need to pop on a pair of red/cyan glasses.

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Another day, another photographic challenge.

Well, nearly.

Charged my camera batteries and formatted my memory cards in anticipation of another lunch hour of photography.  However a lengthy lunch time meeting put that idea to rest.  So today’s challenge theme of “Architecture” is on hold.

But I do have a new image to share today.  An abstract flower triptych.

A few weeks ago photographer Steve McGonnell was the speaker at Queen’s Park Camera, where I am currently serving as president (www.qpcc.co.uk).  Steve showed a large selection of his flower photography.  It’s something that I hadn’t really tried for myself.  So the following weekend I picked up a bunch of supermarket flowers and had a go at some table top flower photographer.

I didn’t really want to go for a straightforward record shot of the flower, I wanted to create something a little more abstract.  I set about shooting a few images using extension tubes on my 24-70mm lens to get me in close to the petals with a really narrow depth of field.

I processed the and combined them to produce this triptych:

Triptych

I desaturated the image and am satisfied with the delicate tones that I’ve achieved.  There are a few blown out highlights which would usually lead me to reject an image but in this case I think they work in the context of the image.

I also wanted to try something a bit more experimental and took another flower from the bouquet and planned the shot.  This time I wanted to show the whole flower head and that therefore required a backdrop.  To make the photograph interesting the backdrop would have to compliment the colours of the flower…but I don’t have hundreds of backdrops, so what should I do?  I could have used used coloured gels on a flash gun to light a white backdrop – but I had another idea – use my laptop screen as a background.

I set up a variety of coloured layers in photoshop and flicked between the layers between each shot until I got one I thought worked.

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I’m pretty happy with the results – what do you think?

Hopefully I’ll get that architecture shot tomorrow…

If you can’t wait until tomorrow, you can see more of my photography on flickr: https://www.flickr.com/photos/alantaylorphotography/

 

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Green with envy for blue.

Today I set myself the challenge of shooting a photograph with a green subject…

Walking around Glasgow City Centre during my lunch hour I realised just how much greenery there is around our urban environment.  It was certainly a reminder to pay attention to the familiar.

I found myself around the site of the old Rotten Row Maternity Hospital, where I was born and where my Mum worked until she passed away.  The old hospital building has been regenerated or reborn if you will into an open landscaped garden area and I found the source of my images for today.

Just try to burst my balloons!

In the middle of the garden area is a giant safety pin sculpture, no doubt a inspired by the safety pins holding up the terry towelling nappies of yesteryear on this site.  But the point of interest, if you’ll excuse the pun, was the trio of green balloons caught up on the sculpture just waiting to be popped but not with this pin.

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There it was an image to fulfil todays brief but I so wished that todays challenge was “Blue”…

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…Now, I don’t know Leo, but if I did, I’m sure he would have my vote.

Around the area were another couple of abstract shots that I thought made worthy images, but not on topic.

And finally, I managed to sneak in a little 3D anaglyph image (you’ll need red/cyan glasses for this one)

Green Theme Anaglyph

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Seeing RED

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I’ve never been one for taking part in a photo a day challenge, not because I’m too lazy, but life out with photography can be busy, so rather than embark on a task that I know I’ll struggle to complete, I’ve set myself a challenge to take at least one photograph on a topic, once I’ve got one I’m happy with, I’ll move onto the next topic – that might be today, it might be tomorrow or it might be next month.

Today is day one of the challenge with “RED” being the topic.

I took my camera out for a lunch hour wander around Glasgow City Centre. The lighting wasn’t great and the rain was threatening throughout my walk. However within 5 minutes of setting off I found a scene that would let me complete the first challenge; a silhouette of some sort of robot head against a red backdrop painted on a shop shutter in Glasgow’s Parnie Street.

I wasn’t ready to head back to the office just yet so kept wandering a little further. With the rain getting closer I headed down King Street and found a location that I knew would make an interesting 3D anaglyph image (you’ll need red/cyan glasses for this one)–vintage clothing on rails outside a retro clothing store.

Heading back to work I found a second image to meet the challenge criteria, a read fire alarm mounted on a red brick wall…perfect.

Challenge number one complete!

See more of my photography on Flickr: https://www.flickr.com/photos/alantaylorphotography/

 

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Another Morning on Cathkin Marsh

I awoke on Saturday morning determined to add new photograph to my portfolio without interfering with family plans for the day.

At 7:45 I was sitting in the hide at Cathkin Marsh wildlife reserve with my Sigma 150-600 scanning the water looking for something to photograph under the white overcast sky…nothing, not even a duck.

After a while a decided the day was conspiring against me and I gave up on the water and went for a wee walk around the reserve. Halfway towards the pond and the hope of seeing some frog spawn the silhouette of a heron passed over head and settled on the waters edge.

A quick sprint, or the best impression of a sprint I can do with a 600mm lens on my camera, and I was back at the hide in time to photograph the Heron being chased back into the sky by a pair of Canadian Geese.

A few seconds of high speed shooting delivered a barely acceptable shot of the heron flapping it’s way to an escape.

Maybe next time…

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Queen’s Park Camera Club – President’s Night 2017 (Part 4)

The Image Checklist

The final update in respect of my President’s Night presentation at Queen’s Park Camera Club on the 30th of March 2017.

Below you will find a soft copy of the Image Checklist that I distributed on the evening.  A number of members commented that they thought it was helpful, so here it is in case you lose your hardcopy.

PN A019

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Queen’s Park Camera Club – President’s Night 2017 (Part 3)

This is the penultimate post to compliment Queen’s Park Camera Club President’s Night presentation which I gave on the 30th of March 2017.

Digital 3D Anaglyph Tutorial

When looking for a scene which will make a good 3D image, you abandon the normal rules of composition, you are looking for interest that will be created by the impression of depth more than placement of objects on thirds etc.

You need to take two pictures, one for your left eye and one for your right eye. You need to remember which is which later on when creating the individual layers in photoshop, therefore it is good practice to always shoot them in the same order. I always shoot the left eye and then the right eye image. I do it in this order so that when I view my RAW images in Lightroom’s filmstrip that the first image I see on the strip is the left eye and the image immediately to the right is the for the right eye.

The big question is how far apart should the two images be taken.  I dare say that there is a complex mathematical formula to get this right but as a rule of thumb, if the object yo u are photographing is very close move a very small distance and if it is very far away move a large distance – it’s as technical as that.

If you are editing your RAW images, always remember to apply the same adjustments to both images or else you get some headache inducing effects. I usually do this by adjusting the left image and then use the SYNC function in Lightroom to apply the same edit to the right image.

Once edited save both your images as JPEGs and open them in Photoshop.

To follow the tutorial you can use these right and left images shot from the rooftop of Glassford Street Car Park.

Now the Photoshop bit…

  • Open a new Photoshop document and place the left eye image as the base layer. Call this layer “Left”.
  • Add a new layer and fill it with red (RGB 255,0,0). Call this layer “RED”.
  • Change the “RED” layer blending mode to MULTIPLY.
  • Now create a new layer from the visible layers (Keyboard shortcut CNTRL/ALT/SHIFT/E).
  • Call this new layer “LEFT RED”.

That’s the left image sorted.

  • Create a new layer and paste in the right image. Call this layer “RIGHT”.
  • Create a new layer and fill it with a pale blue (RBG 66,152,155 works just fine). Call this layer “BLUE”.
  • Change the “BLUE” layer blending mode to “MULTIPLY”
  • Now create a new layer from the visible layers (Keyboard shortcut CNTRL/ALT/SHIFT/E)
  • Call this layer “RIGHT BLUE”
  • Change the “RIGHT BLUE” layer blending mode to “SCREEN”

That’s the right image sorted.

  • Now switch off the visibility of all the layers except “LEFT RED” and “RIGHT BLUE” – Hey presto – you now have a 3D image!

3D Example Final.JPG

But at this point it might not look very three dimensional.

To make the 3D work better you need to align the images to each other. This is a bit tricky to explain so stick with me.

Select the “RIGHT BLUE” layer and select a point I the image you want to be crystal clear and align that point in both images, everything in front of that point will project out of the screen towards you and everything behind that point will recede into the distance.

Using this technique you can change the 3D effect by moving the point of image alignment around. Depending upon the scene, how close to the camera foreground objects were and how big a distance you placed between left and right images you will find that making big changes to the point of alignment may cause you to lose the 3D illusion.

If you want to see more fantastic examples of 3D Anaglyph photography check out this link to a Dutch photographer o Flickr:

Het Nieuwe Instituut Rotterdam 3D

Hope you enjoying trying out 3D anaglyph photography.

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